• Certo dia ele compra um aparelho cujo sistema operacional promete organizar a sua vida, emitir alertas sobre mensagens, catalogar o lixo eletrônico, sugerir o que fazer com todas as informações processadas e não processadas e ainda compor música para ele.
• A alegoria está definida: o humano que leva a vida mecanicamente cria afeição pelo robô que se parece com um ser humano.
"The reason Alan Watts ended up in the movie," Jonze says, "besides just me liking him, and thinking it would be fun to bring him back as an artificial hyperintelligent version of himself, is that one of the themes he writes a lot about is change, and where pain comes from, in terms of resisting change - whether it's in a relationship, or in life, or in society. . . . And that's one of the themes of the movie as well."
• A alegoria está definida: o humano que leva a vida mecanicamente cria afeição pelo robô que se parece com um ser humano.
"The reason Alan Watts ended up in the movie," Jonze says, "besides just me liking him, and thinking it would be fun to bring him back as an artificial hyperintelligent version of himself, is that one of the themes he writes a lot about is change, and where pain comes from, in terms of resisting change - whether it's in a relationship, or in life, or in society. . . . And that's one of the themes of the movie as well."
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